tag:blogger.com,1999:blog-13859519242436797572024-02-20T01:37:59.987-08:00Andrea Uchitel - IdiomasAndrea Uchitelhttp://www.blogger.com/profile/08165003116800876246noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-1385951924243679757.post-53173560305292426252012-03-06T13:35:00.002-08:002013-01-17T17:30:25.784-08:00<div style="text-align: right;">
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<span style="color: red; font-family: Georgia, Times New Roman, serif;"><i>English</i></span></div>
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<b style="font-family: Georgia, 'Times New Roman', serif; font-size: xx-large;"><span style="color: red;">"Embrace Mechanics" </span></b></div>
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<b style="font-family: Georgia, 'Times New Roman', serif;"><span style="color: red;">To explore the use of the body while dancing within Tango embrace</span></b></div>
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<i><span style="color: #fff2cc; font-family: Georgia, Times New Roman, serif;">Building, offering and inhabiting the abrazo milonguero</span></i><br />
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<span style="color: #fff2cc;"><span style="font-family: Georgia, Times New Roman, serif;">• Specially designed exercises propose an exploration of the use of one's body </span><span style="font-family: Georgia, 'Times New Roman', serif;">while walking within the embrace.</span></span><br />
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<span style="color: #fff2cc;"><span style="font-family: Georgia, Times New Roman, serif;">• Sensorial, anatomic and kinetic information for the shared building of the </span><span style="font-family: Georgia, 'Times New Roman', serif;">"embrace space" and the dance. Development of two-way communication </span><span style="font-family: Georgia, 'Times New Roman', serif;">among the dancers.</span></span><br />
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<span style="color: #fff2cc;"><span style="font-family: Georgia, Times New Roman, serif;">• Study of movements and dynamics based on typical situations of the dance </span><span style="font-family: Georgia, 'Times New Roman', serif;">floor, incorporating notions to stop repeating sequences and train improv </span><span style="font-family: Georgia, 'Times New Roman', serif;">capacities.</span></span></div>
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<span style="color: #fff2cc; font-family: Georgia, Times New Roman, serif;">• Bring practice shoes. </span></div>
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<span style="color: #fff2cc; font-family: Georgia, Times New Roman, serif;">• No need to attend with a partner.</span></div>
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<span style="color: #fff2cc; font-family: Georgia, Times New Roman, serif;">• Beginners / intermediate / advanced students. </span></div>
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<span style="color: #fff2cc; font-family: Georgia, Times New Roman, serif;">With the focus on sensation and perception, aware and respectful of each other body, always looking for ways to feel comfortable, we consciously work on the quality of the movement and the construction of the dance. We gradually incorporate and enrich tango language by studying and re-elaborating primary elements that give fluidity an flexibility, that allow us to redesign it and compose the dance. We recognize movement habits, we re-elaborate them to find renewed situations, directions, intentions and dynamics. Training the ability of improvising, as the product of the shared forces involved in the milonguero embrace, where both, leader and follower, bring something unique and, in an intimate agreement, build up the dance.</span></div>
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<i><span style="color: #fff2cc; font-family: Georgia, Times New Roman, serif;">Some of the questions that guide us are “how do I use myself while dancing? How do I use my feet, legs, hips, column, arms, hands when walking and constructing the embrace, this space where I meet with another one, standing in front of me? And in that space, how do we share movements? In which tone we collaborate and come together? And, through steps and tango situations, does it get modified? How we adapt to its qualities? How is intention involved? … "</span></i></div>
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<span style="color: red; font-family: Georgia, Times New Roman, serif;"><i>Français </i></span></div>
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<span style="color: red; font-family: Georgia, Times New Roman, serif; font-size: x-large;"><b>"Mecaniques de l'<i>Abrazo"</i></b></span></div>
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<span style="text-align: right;"><span style="color: red; font-family: Georgia, Times New Roman, serif;"><b>Une exploration de l'usage du corps pour danser le Tango</b></span></span></div>
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<span style="color: #fff2cc; font-family: Georgia, Times New Roman, serif;">Construire, offrir et
habiter le <i>abrazo milonguero </i>
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• Exercices
spécialement conçus propose une exploration de l'utilisation de son
corps tout en marchant dans l'étreinte.</span></div>
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• Informations
sensorielles, anatomiques et kinétique pour la construction partagée
de l ' espace <i>del
abrazo</i>
et la danse. Développement d'une communication entre les danseurs.</span></div>
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• Etude
des mouvements et des dynamiques inspirés par des situations
typiques de la piste de danse, en incorporant des notions pour
modifier la répétition des séquences et devellopper la capacité
d'improvisation.</span></div>
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• Apportez
des chaussures de pratiques.</span></div>
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<span style="color: #fff2cc; font-family: Georgia, Times New Roman, serif;">
• Pas
besoin d'assister avec un partenaire.</span></div>
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<span style="color: #fff2cc; font-family: Georgia, Times New Roman, serif;">
• Élèves
débutants / intermédiaire / avancé.</span></div>
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<span style="color: #fff2cc; font-family: Georgia, Times New Roman, serif;">Avec l'accent sur les
sensations et la perception, conscient et respectueux du propre corps
et du corps de l'autre, toujours en quête de façons de se sentir à
l'aise, nous travaillons consciemment sur la qualité du mouvement et
de la construction de la danse. Progressivement, nous allons intégrer
et enrichir le langague du tango avec l' étude et la ré-élaboration
des éléments primaires qui donnent flexibilité et fluidité aux
mouvements et qui nous permettent de le redessiner et de composer la
danse. Nous reconnaissons nos habitudes de mouvement pour trouver des
situations renouvelés, des directions, des intentions et des
dynamique. Le develloppement de la capacité d'improviser, comme le
produit de forces communes impliquées dans l'étreinte milonguero,
où à la fois, qui suit et qui guide, apportent quelque chose
d'unique et, dans un accord intime, construisent la danse.</span></div>
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<span style="color: #fff2cc; font-family: Georgia, Times New Roman, serif;">Certaines des questions qui
nous guident sont: <i>Comment utilise-je mon corps tout en dansant? mes
pieds, mes jambes, mes hanches, ma colonne, mes bras, mes mains, lors
de la marche et de la construction de l'abrazo, cet espace où
je rencontre un autre, debout en face de moi? Et dans cet espace,
comment pouvons-nous partager les mouvements? Avec quel ton musculair
nous collaborons pour nous reunir? Et, à travers des parcours et des
situations du tango, ce ton se modifie? Comment nous adaptons nous à
ces qualités? Comment intention est impliquée? ... "</i></span></div>
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<i style="font-family: 'times new roman', serif;"><span style="color: #fff2cc;">Please, contact me for more detailled description in english</span></i><br />
<i style="font-family: 'times new roman', serif;"><span style="color: #fff2cc;">S'il vous plait, contacté moi pour recevoir autres descriptions en français</span></i></div>
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<span style="color: #fff2cc;">andreauchitel@gmail.com</span></div>
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Andrea Uchitelhttp://www.blogger.com/profile/08165003116800876246noreply@blogger.com